Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: .. Do you know that one in five Semenax dietary supplement.. Semenax.. marriage equipment failures are matched to this Reverse Phone Lookup.. Check reverse phone.. (pardon the word play here) and accept a Card debt relief.. Debt relief agency.. of you.. My reports have discovered just Raspberry Ketones.. Raspberry ketone.. The Power of ‘Besottedness’: Art School and the Future.. 14.. 01.. 2013 -.. comment on this.. On the occasion of the 175th anniversary of the RCA and the exhibition A Prefect Place to Grow , a book was published which contains the essay.. by Sarah Teasley, in which she also reflects on D21.. Departed 21.. 27.. 02.. 2012 -.. there is 1 comment.. Disassembly Point.. Off to.. New shores.. New places.. New adventures.. What it means to depart.. 22.. We just had an interesting meeting with.. Ian Sharman.. , MA student at the University of Edinburgh.. But before showing him around the RCA, we had to find a way into the building!.. We found ourselves talking about what it means to depart, inspired by this text on the closure of the Bauhaus, which he brought as part of his research project.. End of the Bauhaus Extract.. Reconsidering the Local and the Global.. 10.. 07.. 2011 -.. Triggered by both the oft-essentialised cultural or national identity as basis of design and the lack of acknowledging local specificities in the name of global design, this panel seeks to uncover the complexities and tensions of the local and global that shape how design relates to issues such as identity, values and usage through the lens of RCA alumni and student projects.. With.. Mohammed Daud.. (Innovation Design Engineering 11),.. Prapat Jiwarangsan.. (Ceramics Glass 11),.. Jasleen Kaur.. (Goldsmithing, Silversmithing, Metalwork Jewellery 10),.. Wenjin Yao.. (PhD Innovation Design Engineering 12) and chaired by.. Shirley Surya.. (History of Design ‘11).. Exploring the Gap between Promise and Performance in Technical Drawings.. -.. This workshop and discussion aims to raise questions about the stories that technical drawings tell about processes of design, distribution of agency, the abbreviatory and the euphoric provision of detail, and expectations.. The 1st hour provides an informal space to engage with some activities that aim to raise awareness of the work of technical drawings.. These activities including creative material ways of representing architecture, and creative writing.. The 2nd hour uses the results of the activities to inform and shape a discussion.. Read more.. Lighting Rig, intervention by Sam Ely Lynn Harris.. Lighting Rig.. is an amateur assemblage of lighting components that casts light by by.. Sam Ely Lynn Harris.. It was used during all the events of Wednesday 29th June, chaging location and colours according to the type of events and settings.. The inner contradiction of the concept of function-led action or communication sculpture, the contradiction ... he wrote the score, even if the performances are the end products, while the painter must complete the picture.. Nelson Goodman.. Because of the heavy rain outside, this discussion was hosted by T.. O.. C.. an ephemeral reading-room installed for the duration of the show.. ART- mAP Performance, Public Soul Architecture.. Public Soul Architecture.. (Adolfo Guevara, Nicole Milai Ratcliffe Sica) came from Manchester, for an afternoon performance,.. ART- mAP Performance.. , on Monday 27th June.. Public Soul Architecture is a project currently in progress, it is the aim of this project to research the parallel activities in relation to performance, WHAT IS CRUCIAL TO THE ‘EVENT’ identifying roles of the social as an intrinsic quality in the performable act itself, as a medium of correlating the public space with the architecture of site + situation.. Environment In D, Music by David Morris.. On Sunday 26th June, the hottest day of June, we host David Morris for an afternoon session of Public Music, while exotic refreshments where served by Café Château.. D21 Guided Tours.. 26.. 06.. The Secret Orientation.. 25th, 26th and 29th June.. Guided tour.. Join our guides for an unofficial tour of the RCA show’s backstage.. Organised by Sonya Derman Min Huh.. Show.. Outdoor Space in RCA Show.. Department 21’s platform for the Royal College of Art Show 2011 explores the interface between the private and the public.. Located at the border of college, the project aims to address questions of ownership, authorship, collective production, as well as the accessibility of educational spaces.. 24rd June to 2nd July 2011.. Open Daily — 1 to 4pm.. Outdoor Room and steps activated through critical dialogue interdisciplinary activities.. Royal College of Art.. Kensington Gore (Acces via Jay Mews).. London SW7 2EU.. Department 21 is kindly supported by Eurostar and ADM-HEA.. See the detailed schedule.. Featured in Metropolitan Magazine.. 31.. 05.. Department 21 has a nice review in the June issue of the Eurostar Magazine, Metropolitan.. Eurostar has supported us this year, by giving tickets to bring in artists and designers from Brussels and Paris.. Next Page.. About D21.. Description.. History.. Contact.. Publication.. Click the image for more information, or purchase directly for £7 incl.. postage:.. Contributors.. Adolfo Guevara.. Afonso Martins.. Alkesh Parmar.. Anaïs Tondeur.. Anna Sikorska.. Anthea Toorchen.. Ashley Leach.. Bethany Wells.. Brave New Alps.. Callum Cooper.. Carmen Billows.. Christina Millare.. Damien Monteau.. David Morris.. Deborah Barrett.. Deniz Johns.. Deshna Mehta.. Elizabeth Walker.. Fay Nicolson.. Federico Strate-Pezdirc.. Grant McCaig.. Henrik Potter.. Je Baak.. Jonathan Watts.. Justine Boussard.. Lily Hall.. Louise Woodcock.. Luska Mengham.. Mette Kjaergaard.. Michael Wegerer.. Min Jae Huh.. Oliver Smith.. Polly Hunter.. Robert Maslin.. Sabel Gavaldon.. Samara Scott.. Sonya Derman.. Sophie Demay.. Stephen Knott.. Tomasz Crompton.. Xavier Antin.. Yesomi Umolu.. designed by.. ; powered by.. WordPress.. ; theme based on.. Writer's Blog..
Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: posted 14.. Cancel Reply.. Write a Comment.. Name (required).. Email (required - won't be displayed).. Website..
Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: posted 27.. Comment Pages.. There are 1 Comments to "Departed 21".. says:.. February 28, 2012 at 1:36 am.. Thank you for hosting me last week it was a real pleasure to reflect with you on the fabulous D21.. Congratulations on its legacy and your new horizons..
Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: posted 10.. There are 1 Comments to "Reconsidering the Local and the Global".. Prapat.. August 14, 2011 at 12:13 pm.. Prapat Jawaringsan (Ceramics Glass ’11) please change to Prapat Jiwarangsan ( Printmaking 11) thanks..
Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: Design used to be the be-all end-all till I realised how much the social, cultural, political, technological and economic have shaped the material, visual and built world, such that design s value seems to lie in it being the means (a powerful one) to other ends.. I m keen in exploring the interstices and intersections between the disciplines of art, film, design and architecture; design and human factors; theory and practice; histories and futures; the local and the global.. I have wondered whether my stint at the RCA/V A History of Design programme has granted me greater clarity or ambiguity in this attempt – perhaps both.. Such tensions are present in my.. paper.. on mediating architecture in China through notions of autonomy, authorship and auteurism, as well as past and present.. speculations.. ... – through roundtables or installations at the terrace, RCAfe, galleries, Jay Mews or other activated spaces in and around campus.. For the ingenious (often) happens at the uncomfortable and humbling, yet illuminating, boundaries between mind sets, not within the provincial territory of one knowledge and skill base.. Designing the Design Process at D21 RCA SHOW 2011.. There are 2 Comments to "Shirley Surya".. Department 21 | An experimental interdisciplinary workspace at the Royal College of Art.. October 16, 2011 at 9:13 am.. [.. ] Roberto Bottazzi (Tutor, Department of Architecture, Royal College of Art), chaired by Shirley Surya (History of Design 11, Royal College of [.. ].. October 16, 2011 at 9:18 am.. ] Jewellery 10), Wenjin Yao (PhD Innovation Design Engineering 12) and chaired by Shirley Surya (History of Design [..
Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: Junkers Ju 87, by H.. Redmill, 1942, from Donald Nijboer, Graphic War: The Secret Aviation Drawings and Illustrations of World War II, (Boston Mills Press: Erin, Ontario, 2005), p.. 56-7.. I unmake the artefact, the aircraft.. My author fashions me out of parts and wreckages, in order to look simultaneously whole and dissected, a belly of components.. I show you, pilot, the machine of the enemy – where to disarm, to destroy, to avoid.. The artefact is undone and then re-done, so ... everything, but I only show you what your fighting nation requires you to know, so that you will learn quickly and unquestioningly, as a soldier of the air.. I am shaded, and coloured, and peopled, so that I can bring you closer to the real moment.. I am not isolated, but surrounded and embodied.. I sport a cascade of labels, bringing you a euphoria of detail.. I give you action and confidence.. You, the operator, and I, the inscription, enable the artefact together..
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Title: Department 21 | An experimental interdisciplinary workspace at the Royal College of Art Descriptive info: spoke about her project For Rent which has been activating Fluxus and Conceptual Art scores in different contexts, for 2 years.. She also discussed the need to test /dissect this type of work and addressed the question of the subjectivity as well as mediation.. presented her DPhil research (on the documentation of live art at the University of Sussex).. She presented a case study of some interesting works in terms of record kept.. She also talked about the documentation of contemporary works and how its current nature has changed compared to earlier works..